Meet Sarajane Giere

Sarajane Giere is a remarkable and versatile writer who has had essays published in The Christian Science Monitor and the Long Island section of The New York Times. She has had devotional pieces published in Son-Rise Publication, Bethany House Publishers. Her two published book-length memoirs are

The Melody Lingers On, and My Pilot, A Story of War, Love, and ALS.

The Melody Lingers On, a portrait memoir of her grandparents, congressman and raconteur Bill Nolan, his wife Matea, and their nine daughters paints a vibrant portrait of life in the mid-19th century including the politics, theater, song, the traveling lecture circuit, the broken hearts, and joyous antics of that side of the family.

My Pilot, A Story of War, Love, and ALS won three literary awards which included the Independent Press Award, The Military Writers Society of America’s Silver Medal Award, and the NYC Big Book Award. Sarajane Giere wrote the book based on the handwritten letters from Bernie and her own personal accounts of what life was like being a military wife. The book, which contains photos of her and Bernie over the years, is a loving tribute to her 52year marriage to her late husband Bernie, a military hero who served in the United States Air Force during the Vietnam War. Sarajane recounts the loneliness of separation from her husband when he left for his tour of duty, the worries experienced while he was gone, the bonding which occurs between military families, and the horror and fears when Bernie, who flew 214 combat missions in Vietnam, had been shot down and then rescued by a military helicopter. She explains how she struggled to find faith and gained the support of family and friends to get through those times, the relief and joy upon Bernie’s return home, and their life of raising children. Through vivid details, she describes Bernie’s courage under fire and his heroism during his twenty-five years in the Air National Guard’s 106th Rescue and Recovery Wing. It tells about how the couple’s faith, and their love helped them through the challenging times of wartime, then how Bernie began a career as an international commercial pilot with the uncertainty of furloughs while flying for Pan Am, and later his battle with ALS, a progressive neuro-muscular disorder, which he courageously fought but unfortunately, succumbed to.

Interview:

  1. Why did you become a writer?

SG –

As far back as elementary school, I enjoyed writing stories and illustrating them. My parents liked to read, and sometimes my mother would read passages aloud to me which would feed my imagination. Miss Helen Fox, my 6th grade teacher, didn’t laugh when my friend and I told her we wanted to write a novel like the one my mother was reading, about the wild West. Miss Fox let us do it. She moved our desks into the hall during recess time and was a gentle editor which propelled us to continue. All through school, I was fortunate to have teachers who encouraged me with my writing, and it made me happy to know my talent was recognized.

After I married and had children, I showed my oil paintings in an East Hampton Gallery and completed my MS degree in 1982. Art was my passion. Shortly thereafter, at age 42, I became a reading teacher and taught art after school. One day, a fellow teacher noticed me writing away in the computer lab during my lunch hours. She recommended I try out a writing group in East Hampton, and I did. That is when I began to seriously consider myself a writer. My group members encouraged me to publish, and I sent in my “lunchtime” essay to the Christian Science Monitor, and they published it! I was elated. My peers recommended I attend the Bread Loaf Writers’ Conference in Ripton, Vermont. I applied and was thrilled they accepted me. That’s where I found myself working with a well-known writer as mentor, Nancy Willard, who encouraged me to write a book.

2. What inspired you to write your book My Pilot?

SG During one of my East Hampton writing group sessions, I read a piece I had written about the night my husband Bernie left for Vietnam, and how I felt about saying goodbye as an Air Force wife in that unsettled time in our history. None of my fellow writers had been close to anyone who fought in that war, and they loved my piece. They wanted to know more about Bernie and me, so I continued to write the memoir pieces which later became chapters for the book My Pilot, A Story of War, Love, and ALS.

When I moved to New Jersey to be closer to my children the year after Bernie died, in 2014, I joined the Write Group of Montclair. This new assembly of talented people encouraged me to keep on going with my Bernie memoirs. They were, and still are, supportive of my writing goals.

As I settled into my New Jersey home I came across Bernie’s many letters from the Vietnam War and his sojourn in Okinawa the year before. I reread them all and slid them into plastic sleeves for safe keeping. It was as if Bernie were there in the room with me, and I wanted to capture him on paper and let my grandchildren know what a wonderful and brave man their grandfather was throughout his life. I found the letters gave the essence of the man and conveyed the feelings that he probably wouldn’t have shared under ordinary circumstances. I set to work, and although I wasn’t aware of it at the time, writing My Pilot assuaged my grief and gave me a love fest of gratitude that made each new day a joy. I was falling in love again and it felt good.

3. How much time does it take for you to write a book?

SG – It took me four years to write My Pilot.

4. How did you first get published?

SG –

I met a wonderful editor through my writing group, named Lorraine Ash and asked her if she’d look at my 24 chapters and give me some advice about publishing, of which I knew very little at the time. She helped me with suggestions for the development of the book and suggested that I leave off the first four chapters which were about Bernie’s parents, and make the book about just Bernie and me, and so I did. Lorraine helped me line edit and complete the rest of the publishing journey. We found several small publishers who were interested in my memoir and chose Imzadi Publishers who followed through and brought out the book in November of 2020. Lorraine even led me to a lawyer to review the contract they offered me.

5. What are you working on now?

SG – I am doing research on my dad’s family from Missouri, the Palmers. Like my first family memoir in 2012 about my mother’s Minnesota familythe Palmer memorabilia comes with plenty of diaries, letters, and memoirs to inspire me. I’m writing about what it was like growing up on a Missouri farm beginning in 1886, and how my grandfather John W. Palmer, became such a successful and respected gentleman who produced a notable family whom I remember with gratitude and affection. Using love letters and memoirs from my grandparents, my portrait memoir is the story of their lives and the lives of their children, as seen against historical times. It makes me happy and grateful to the Palmers for letting me behind the scenes of their remarkable story. My grand kids will know more about themselves after they read about the ones who came before them.

6. Can you describe your writing process?

SG I arise early and make a schedule for the day. I try my best to stick to it, but sometimes life gets in the way. A three, or four-hour session of writing is the most productive for me. I write for the book, and my blog, and, also to get feedback from my fellow Write Group members with whom I meet every two weeks on Zoom.

7. What writing organizations are you in?

I belong to the Write Group of Montclair, New Jersey. In the past, I was one of the founders of the Long Island Children’s Book Writers & Illustrators Group, and was a member of a Christian writing group, in Riverhead New York, called the Writing Circle. Before that, I joined the East Hampton Writers and met with them weekly for two years.

8. Where are your books available?

SG – My Pilot is available on Amazon, in paperback, large print, audio and e-book and can be ordered at Barnes & Noble, Kobo, and Walmart. The Melody Lingers On is available from the Blurb.com. bookstore and is also linked-in on my website’s “books” page. 

Love is a Verb, a Devotional of 365 Daily Inspirations to Bring Love Alive, compiled by Gary Chapman and James Stuart Bell, is available on Amazon.

For more information on Sarajane Giere, click the link below.

Sarajane Giere

 

EXCERPTS

My Pilot, Chapter 4: Off to War

Everything was soggy that night in Tampa when we pulled up to the MacDill Air Force Base flight line. A big plane revved up.

“That’s our taxi, Old Shaky,” said Bernie, pointing to the C-124 transport. “But don’t worry, honey. Each of those four engines generates about 3,800 horsepower, so you can be sure we’ll get there in one piece.”

The behemoth was waiting to transport my husband and the other pilots of the 557th Tactical Fighter Squadron to the South Vietnamese Air Force Base at Cam Ranh Bay on the South China Sea.

These F-4C Phantom fighter pilots of the 12th Tactical Fighter Wing would be the first to update the old airstrip on the sand into a modern air base. Runways were being laid, barriers to protect the aircraft created, and Quonset huts dressed up for pilots’ quarters. For eight years, until the conflict ended, the base would serve as a staging point for planes flying missions in South and North Vietnam. But that night Bernard and I didn’t question how long the war would last; that would come later.

The pilots had twenty minutes before takeoff when we ducked into the Flight Line Café where the men and their wives occupied every table. The jukebox boomed out the We Five rendition of “You Were On My Mind.” I felt uncomfortably adrift on the waves of all the smoke. The colonel had passed out cigars that morning. I chuckled when I saw a few nonsmokers playing at smoking. Those fighter pilots must have thought their cigars signified something—perhaps notoriety for being in the first unit to arrive at Cam Ranh Bay?

All these fliers, most not yet thirty, were going to test their mettle at last. After a year at MacDill Air Force Base, they had become such a tight group that even their nicknames took on a greater significance. In pilot training Bernard’s flight instructor sat with his trainees around him. When he called on twenty-four-year-old Giere, he said, “Bernard? Huh. That name will get in the way. How ’bout Ben?” The name stuck.

Jim and Sandi, sitting next to the window, motioned for us to join them. Outside the rain drummed on as we made our way to them, past couples leaning across tables, holding hands, and speaking in low tones as if sharing secrets. I was relieved to sit down.

“Ben, this is the best stogie I’ve ever had,” Jim said. I remembered I’d left Bernie’s in the car. When I offered to get it, he held me back with a smile.

“Forget it, honey,” he quipped. “I’ll get it later.”

Jim passed his cigar over.

“Take a drag of this,” he insisted. Ben accepted. Jim would be his copilot, or Guy in the Back Seat, for most of their tour. Their friendship had been cemented a year earlier when they were deployed in Okinawa for three months.

From the way Jim and Bernard talked, the three-day ride to Cam Ranh Bay was going to be the worst part of their twelve-month tour. There’d be no first class or stewardesses on Old Shaky.

“Please, ladies,” we’d been told, “the colonel says not to divulge our destination to anyone.  It’s a military secret.”

We were supposed to say, “He’s been deployed to Southeast Asia.”

And oh yes, Sandi and I each had a two-year old daughter to keep us company. Both Lisa and Christy were to be big sisters in six months’ time.

“I’m going to call my son Jamie,” Jim said. How presumptuous!

“How can you be so sure it will be a boy?” I asked.

“Sandi and I worked it out,” he boasted. “Didn’t we, Sandi?”

I thought it was impossible to work out a baby’s sex in advance. Four of us squadron wives were pregnant. The only predictor we ever talked about was the silly needle on a string game, and that was only a fortune teller’s ploy. I turned to Sandi for their secret.

“I’ll tell you later,” she mouthed.

After hearing Jim’s announcement, Bernie’s face lit up with a grin.

“I have no preference, really,” he said, “as long as it’s healthy.”

He put his hand around my shoulder and gave it a squeeze. That sweet touch radiated through me and filled me with pride. I knew he was telling the truth. Had there ever been a more thoughtful husband?

I looked through the windowpane at the wavy silhouettes of airmen loading duffel bags onto a plane. Ten minutes to go.

Our table conversation seemed inconsequential, just words lost in the air. I prattled on, merely dancing around The Fear—the fear of separation, of his capture, of his death, of widowhood. Fear of that day when a blue staff car would pull into my driveway and the base chaplain and grievance officer would ring the bell.

That very drama had recently happened to my neighbor, Nancy. Her husband had been one of the first Forward Air Controllers (FACs) sent to Vietnam. FACs flew small, commercial-type airplanes over the treetops, scouted for targets, and then relayed their positions to the F-4s, which were above them and poised to strike. (Bernard had been to FAC training that summer, even though his position as an F-4 pilot was secure. He never refused an opportunity to master something new.) As Nancy arrived home with her three little boys and a trunk full of groceries, she saw that bold blue staff car in her driveway.

The official word of Coz’s death came from the commander’s wife. I took the lead from her on when to visit and what to bring. I didn’t know what to say to Nancy, or if my voice would hold up through my tears. Somehow I got through it and the funeral that followed.

After that the vulnerability of a pilot’s life became a reality that helped define my role in this new war experience. My friends from the past, who carried on their civilian lives as if there were no Vietnam, seemed disconnected, foreign. I thought of Bernard as Teddy Roosevelt would have: “The credit belongs to the man who is actually in the arena … who strives valiantly.”

The café door opened suddenly. The loadmaster waddled in, his boots puddling the linoleum. He grabbed the nearest coffee cup and gulped it.

“Let’s go!” he shouted. “Now or never.”

Bernard shouldered his bag and we left the café. With his hand around my waist, he steered me to a private spot near the runway gate. The rain was lessening. The wing tip lights blinked. Too soon, the pilots began peeling away from their wives and heading toward the plane. Bernard pulled me to him.

“I love you, honey,” he said. “Everything’s gonna be alright. My mother will fly down to help you when the baby comes.”

His embrace never felt as precious—strong, familiar, comforting. I wanted to say something substantial, some words of reassurance, but I couldn’t.

“Write soon,” I said. “I love you. Be safe.”

When I squeezed back into the car and noticed the dark shape on the dashboard, I lost it. Oh, oh, I forgot to give him his cigar. Oh honey, I’m sorryWhile some wives stood watching Old Shaky take off, I sat in the car groping for something to catch my tears. I drove slowly toward home, not wanting to spoil the memory of us together.

By the end of the week, the realization had set in. I knew this drama wouldn’t have a pat ending like an old war movie. I figured that if I could make it until November 1966, Bernard’s date of return, I could survive anything

********

 

Excerpt taken from Chapter 3 

     from The Melody Lingers On

On September 2, 1901, four days before President McKinley was shot by an assassin, the vice-president and soon-to-be President, Teddy Roosevelt, attended the opening of the Minnesota State Fair. Bill Nolan probably went to hear him speak, as he was a fan of the popular 43-year-old politician. That was a speech to remember, one in which Roosevelt uttered the words that lived long after he was gone: “There is a homely adage, which runs, speak softly and carry a big stick: you will go far.”

Roosevelt and Nolan most likely talked about their growing families and the frustrations of raising strong willed daughters. Could it be that the Nolan girls and Alice Roosevelt had the same streak of defiance and independence? “I can be president of the United States, or I can control Alice.  I cannot do both,” Roosevelt said.

When Bill told the president that his wife was pregnant again, Roosevelt said that if it were a boy, Bill should name him Theodore. A girl—if that unlikely event should occur—should be called Omega, the seventh and the end.

When the legislature convened in January of 1905, the members passed an official looking resolution and presented it to their Speaker of the House, Bill Nolan, which stated that the seventh Nolan shall be the last and he should be called, Theodore.

The members had a silver locket struck, engraved with the Greek letter Omega, and presented it to Mrs. Nolan.

Three months later, the seventh Nolan daughter was born, and they named her Theodora Antionette. Many years later, to receive her social security benefits, my Aunt Teddy proved her eligibility by showing her gold embossed resolution and silver locket.

 

 

 

 

 

 

 

Writer’s Tools: A Room of One’s Own

 

“A woman must have money and a room of her own if she is to write fiction.” – Virginia Woolf, A Room of One’s Own

 

 

While it’s necessary to have money, as a writer you don’t have to have a room of your own to write, but it helps! I recently converted a spare bedroom into my “writing room”, and it provides the space where I can go when I need to plot my stories, type drafts and revisions of works-in-progress, and meet on a Zoom with other writers. In a way, it’s become my “home office” as well as the guest room.

Since I sometimes like to listen to music while I write, I have an I-pod, a 33 rpm record player, downloads on my laptop and my phone. I’ve created playlists, too, for certain stories that I’m working on. Sometimes the music is background noise. I have a Mr. Coffee mug warmer which helps a lot when I need a cup o’ Joe to keep on keepin’ on. By the way, according to an article by Brooke Nelson in Reader’s Digest, dated November 24, 2022, the phrase cup of Joe might have its basis in linguistics. “Joe” is the simplified form of the word “jamoke,” which began as a nickname for coffee in the 19th century, a portmanteau of the coffee beans “Java,” and “mocha.” Therefore, “cup of jamoke” may have become shortened to a “cup of Joe.”

I’m a pencil and pen connoisseur and have included Blackwing pencils, dainty looking Vera Bradley pencils, gel pens of assorted colors, purple Pentel RSVP pens which are my favorites, and Bic Ball 3 in jade and blue. While I do most of my writing, as I am doing now, on my laptop, I enjoy using colorful pens and pencils for note taking, line editing, and filling out forms for writing. As for notebooks, there are so many types that I’ve used from those black and white composition books like the ones which I used in elementary school to ingrained, leather bound notebooks.  I have notebooks with subject dividers for various tasks including journals, writing projects, writing workshops, research, and much more. Having been a teacher for over two decades, I had to be fairly organized and notebooks became a must. As a writer, even with the computer and the apps on my phone, I like to have notebooks.

These are tools which are useful for writing and for being in the room of my own, but the work must be done. Like a lot of other writers, my laptop is my most important tool. I knew a few writers when I started out writing more seriously who refused to type up their drafts and wrote long-hand. My first book, Wildflowers, is one which I wrote long-hand in a yellow 3-ring binder while commuting to my job as a copywriter for J.C. Penney in New York City. I wrote furiously as the bus meandered through the interstate traffic, through the Lincoln Tunnel, and deposited its passengers at the Port Authority Terminal of Manhattan. Those were before the invention of personal computers, even before the cell phones, so I am dating myself. Had it not been, though, for those notebooks and pens or pencils, I wouldn’t have had my earliest material for that book.

As for a room of one’s own as Virginia Woolf suggested in her book, A Room of One’s Own, it’s not necessary.  I wrote on a bus, in a coffee shop, dictated on a tape recorder while driving my car, during my lunchtime breaks at work, even on long walks through parks. Once again, it’s the idea that to be a writer, one must write wherever and whenever one can.

So, where do you write? Do you need a “room of one’s own”? Comments are welcome.

 

Excerpt: Sacred Fires

 

 

Sacred Fires

Casey glanced at the names on some of the exhibits including those of the Toltecs who had built the Pyramids of Teotihuacan, the Oaxaca, and the Mayans. Open spaces or gardens separated each exhibit room. Casey decided to see as much as she could. Yet, she needed to focus on the Aztecs and vowed to view the Aztec Calendar Stone. “We can browse later,” she told Barbara. 

A guard directed them to the office at the rear of the hallway. The director’s secretary told her to meet with the assistant. So, they ventured to the tight office and found Daniel Ortega, an affable, portly, and middle aged man. He offered them seats opposite his elaborately carved mahogany desk with its display of photographs, miniature sculpture, and a miniature-scale model of the museum. 

Barbara introduced Casey to the assistant director. Casey took out her recorder and began the interview using Barbara as translator. 

“We are from Metro News, and we are here to find out about the stolen artifacts.” 

Ortega rubbed his black mustache and nodded a moment. Sadness shadowed his ebony eyes. 

“We have had items stolen in the past, but nothing is as important as those taken this time. Among them are the rare golden Corn Goddess made of solid gold and a crystal skull. The other items included bejeweled masks, weapons, and ornate head wear.”

 “About the crystal skull, other than its beauty, why is it so important?” 

The curator looked at Casey in astonishment. “The crystal skull is more than beautiful. It is a perfect replica of a skull and solid crystal without a trace of carving marks. Some attribute it to the Maya, others to the Aztecs. It is believed to be pre-Colombian and contain mystical powers known only by the high priests of the ancient cultures. It had been hidden from the Spaniards. So, its discovery came only in the last century.”

“Do you have an idea who might want the skull or other treasures?” Casey asked. 

“No.”

“May I see a list of museums scheduled to exhibit the Mesa American art?” 

Ortega removed a list from a file in his desk drawer. “Here, this lists every museum including the British museums, the Smithsonian, and the Metropolitan Museum of Art.”

 “Do you have a list of museum benefactors and patrons?” Casey thought it might provide clues to someone who could be interested in the tour.

He obliged with a voluminous copy of the list. Benefactors, patrons, and sponsors existed around the globe. Casey could never interview each one. She could check on any who might have had a penchant for collecting antiquity and reasons for stealing from the exhibit. “I’m wondering if there might be a connection to organized crime, but I’ll work with the police.” She noted a strange glint in her translator’s eye as she stood to shake the curator’s hand. “Thank you, Mr. Ortega.” 

“This is a start,” she told Barbara. 

Mr. Ortega said something else to Barbara who didn’t translate it right away. 

“Adios,” he said to Casey as they shook hands. 

When they got outside, Casey gripped Barbara’s elbow. “What did Ortega tell you?” 

Barbara looked pensive, frowned a moment, and replied, “He said among the many items stolen were weapons made of jadeite and obsidian, ritual instruments used by the Aztecs for bloodletting and human sacrifice.”

 “How odd. It’s also odd how they didn’t touch some of the more lucrative items made of gold such as the necklaces and arm bracelets, the jadeite ear hoops, and lapis lazuli encrusted ceremonial masks.” A shiver ran through Casey at the remembrance of the mask worn by her captor in her nightmares. 

They arrived at the end of a patio. In the middle sat the Aztec Calendar Stone. Casey went to it, fascinated by the intricate carvings of the circular stone. Concentric circles surrounded a primitive face, pictographs along with symbols for the heavens filled in the circles. The outer border consisted of two great fire snakes.

Casey followed Barbara to the exhibit room. There she found more artifacts depicting Aztec beliefs and lifestyles. Stone crusted clay masks used in rituals, some decorated with gold, turquoise, or jade stood on display. A miniature replica of Tenochtitlan reminded her of the tour. She could pinpoint the exact spot where she experienced déjà vu. The text informed her about how the Aztecs, a clan oriented and class conscious people, relied on a cult based on meeting its agricultural needs. They viewed images of Coatlicue, the blood-thirsty goddess considered to be the mother of the gods and creator of the Earth. The powerful Quetzalcoatl, a snake-like statue, who reigned as the god of learning, towered over a temple drawing. The Aztecs worshiped many gods and goddesses to fulfill every human need for crops, rain, fire, and fertility. They even had deities in the constellations. 

“Altogether there were about fifty gods and goddesses,” Barbara told her. 

“Whoever stole the artifacts may be using them in a cult ritual,” Casey said. 

“What do you mean?”

 “With those cult objects they could recreate an ancient sacrifice.”

 “Casey, you are letting your imagination run away. Why resort to obsidian knives when they have a hundred different types of firearms?” 

“I know it sounds ridiculous, but it could be the work of a madman…who knows. I’ll have to talk to someone in the FBI, U.S. Customs, and the local law enforcement to get some answers.” She opened the door to exit the museum. The rays of the late day sun hurt her eyes. She squinted to adjust from the dim interior of the museum. “Let’s find some shade…it’s like an oven out there.” 

They found a bench under a tree. Casey’s stomach growled as she sniffed the pungent aroma of refried beans, tortillas, and onions. “We’ve been on the go since this morning. I’m starved, let’s get something to eat.” 

Barbara followed her to the vendor. Over a quick lunch of tacos and beans, they discussed the translated notes.

“This is good,” Casey said between mouthfuls of the overabundant beef taco. She wiped the grease from her mouth with a napkin, and then sipped her cola. As she did so, she nearly choked. 

“What is it?” Barbara patted Casey on the back. 

When Casey regained her breath, she pointed toward the museum. Coming down the steps were Daniel Ortega and Miguel Stephens. The two men looked engaged in an animated discussion. Miguel’s arms flailed up and down, and then he turned to spot Casey and Barbara. His demeanor changed and became somber. He parted with Ortega at the steps of the museum, and then headed over. His face bore a hardened expression. Casey could sense the intensity of his gaze. “What business did he have with Daniel Oretga? Come on, Barbara!” She stood and tossed her partially eaten lunch in the wastebasket. Too late to retreat for Miguel had crossed over to join them. His ardent strides reminded Casey of a bull about to charge, and she braced herself for the attack.

“You…you are a reporter!” Miguel’s voice accused. “You’re here to investigate the theft from the exhibit and not to write a book.” 

“What business is it of yours?” Casey asked.

His gaze narrowed as the air sparked between them. “I’ll tell you.” The vehemence in his tone iced Casey. She stepped back as he leaned forward.

“Don’t snoop around on my case.” He waved his index finger at her. 

“Your case? You told me you collected art and were here for your family.”

 “I am about to collect art when I find out who stole it, and I am visiting my family.”

 “Alas, the truth comes out.” Her tone reeked with sarcasm.

 “I’m not the only one who’s been lying. You’re a cop. Well, I should have known.”

 “I’m a special agent for the U.S. Customs and Border Patrol, and I don’t want any reporter getting in my way. This is a dangerous case.” 

“And I’ve covered dangerous assignments before including investigations of artwork in the Middle East,” Casey remarked. “Nothing is as strange as this one.” She paused for a moment. I could use his assistance. Then she sweetened her tone. “Maybe we can help each other. After all, I might have access to information.” 

A glimmer of interest lit his blue eyes. 

“I might know something that you don’t know. You think the Feds have all the information?”

“I suppose you found out as much as I did from Daniel Ortega,” he snapped. Then his gaze studied her for a moment making her squirm a bit. “What more could you offer me?”

The implication in his impish smile annoyed the life out of her. “Don’t even suggest it.”

“I don’t know what you’re thinking. I simply mean we can work together.” Miguel grimaced for a moment. “This is my job, and I intend to do it.”

“And I intend to do mine,” Casey countered. “I’m employed to investigate news on the art world. This is a story on stolen art, and there’s a chance a revival cult may be involved. Have you heard of any unusual killings recently?” 

Miguel averted his gaze. 

Casey tapped her toe with impatience as she waited. “Well, have you?”

 “No,” he said. “Crime is not that unusual in a huge metropolis.”

“Do you think the mob is involved?” Casey pumped for information.

“This is highly sensitive, and I’m not willing to share information with you. So, I suggest you pack your bags and head back to New York…to what’s his name…Jim Richardson. I’m sure with his father’s influence you can pull a few strings.”

 Casey waved her hand as if swatting a fly. “I don’t intend to go back to New York right now. I intend to finish my assignment. And as for Jim, he’s none of your damn concern.”

“Fine,” Miguel snapped. “Stay out of my way!”

She watched him storm off, leaving her to fume inwardly. 

Barbara offered her a sip of her bottled water.

“No, I’m fine. Thanks.” She took a deep breath and released it before adding, “After all, this is a job, and no one is going to stop me.”

“You can’t be so sure, senorita.” Barbara went ahead of Casey and hailed a taxi for their return to the hotel. “You have quite an opponent in such a one. It’s too bad he is muy guapo, handsome. Ah, I would not mind tangling business with pleasure.” 

Casey stared at her translator a moment then followed Miguel’s retreating figure. 

So, the man of mystery not only captivated her in more ways than one, it turned out he was a government agent. One who didn’t want to work with her and wanted her to leave. The last thing she needed in her life. It meant trouble.

***